In the world of Area Rug Cleaners involved in oriental rug Cleaning, the word “artifact” has a harsh sound, an objective tone. Its literal meaning is “an object created by a human, that is, a man-made object.” Unsought, it is reminiscent of the old museum display cases with rows of arrowheads and other implements. What dreams and fantasies create objects in a museum? How are we affected by the systematic placement, signs and mirrored glass? Artifacts in a museum are built on exclusion. In order to highlight it, you must distinguish objects from their natural context. In this new context, its use-value is lost. We start on the aesthetic qualities while scientifically try to classify objects based on its relationships. By phenomenology, the word “artifacts” also has a wider significance because even abstract thoughts and ideas can be regarded as objects. According to this view, the human subject is created when it addresses an object. This means that people are shaped by physical objects, but also of ideas and cultural structures that they encounter. In this sense, its ideological framework around a museum is also an artifact. Stuffed animals and minerals on display, in this way, testify to all of man’s beliefs about nature and are thus also artifacts. The exhibition is therefore not so much about physical objects, but more about our ideas about them, as well as on the objects we choose to highlight and hide. Seen’s mechanisms are the focus, where the association chains evolve into alternative histories around people and objects. Northern Sweden Skansen Artifacts exhibition looks back at the time and was fashioned from the Open Air Museum Murberget. In the 1800s, dying folk culture was the backbone of efforts to create a Northern Sweden Skansen. The visions were great; local history research wanted to disseminate knowledge of Norrland nature, language and history by way of museum activities and courses. The early museum association comprised of a collection of biological and cultural parts. Eventually, it also began buying farms to the open air museum. The purpose, according to museum founder Theodore Hellman, was to “instill a lasting sense of homeland and fatherland.” Future national trends required a clear formulated Swedish identity. At the same time, the activity of people was characterized by forming ideals. Hellman strove towards solid targets. This formulation confirms the notion that it is a nucleus in the northern heritage of oriental rug Cleaning by Area Rug Cleaners.
